Staff Accompanist, BA Modern Ballet and Tutor, MMus Piano for Dance
Learn about Michael Barnett
Michael Barnett
Staff Accompanist, BA Modern Ballet and Tutor, MMus Piano for Dance
Michael Barnett hails from Glasgow and is a double graduate in Music from Glasgow University. Since then, he has worked predominantly in Dance and is now the staff accompanist on the BA Modern Ballet course at the Royal Conservatoire of Scotland. As a freelancer, he plays regularly for Scottish Ballet and any visiting companies. Michael tutors the Mmus Piano for Dance students and coordinates the musicians playing for BA Modern Ballet, Junior Conservatoire and the Scottish Ballet Associates.
I am the coordinator for Drama at the Junior Conservatoire. As well as being a theatre-maker who has led Creative Learning departments for a decade, I support staff, current students, and applicants to achieve excellence in their art forms.
Lecturer & Co-Ordinator of Conducting, Vocal Studies, and CCS
Learn about Michael Bawtree
Michael Bawtree
Lecturer & Co-Ordinator of Conducting, Vocal Studies, and CCS
A keen advocate of contemporary music, Michael Bawtree has conducted world premieres of operatic, symphonic and choral works by Judith Bingham, Paul Mealor, Cecilia McDowall, Richard Peat and Rory Boyle; he works regularly with Scotland’s foremost composers including the late Sir Peter Maxwell Davies, Sir James MacMillan, Thea Musgrave and Sally Beamish.
Norman Beedie studied at the Royal Scottish Academy of Music and Drama before gaining a Sir James Caird Scholarship enabling him to continue studies with Guido Agosti and Carlo Zecchi. As well as studying with Nadia Boulanger, he was greatly influenced by the soprano, Irène Joachim, granddaughter of violinist Joseph Joachim, friend and colleague of Brahms, and by the late, James Gibb in London. He has pursued an international career of great variety as a conductor, pianist and teacher.
Héloïse Bernard has been a French Coach and Lecturer of French Language for Singers at the RCS since 2018 for the Vocal Performance Department. Héloïse has also been involved in the recent Opera productions of the Alexander Gibson Opera School of Les Mamelles de Tiresias, L’étoile, Cendrillon.
Having undertaken his undergraduate studies at RSAMD (now RCS) under the tutelage of Iain Crawford (Co-Principal Bass BBC Scottish Symphony Orchestra) Tom continued his double bass studies at the Juilliard School in New York with Timothy Cobb (then Principal Bass Metropolitan Opera Orchestra, now New York Phil) graduating with a Master of Music in 2006.
Dr Laura Bissell (she/her) is an Athenaeum Research Fellow and Lecturer in Contemporary Performance Practice at the Royal Conservatoire of Scotland. Laura is a performance-researcher, writer, and educator and has had her poetry, creative writing and academic writing published in journals and anthologies. She is currently writing a monograph on matrescence and performance (Intellect) and is co-editing the International Journal of Performance Art and Digital Media’s special edition: Matrescence and Media with Jodie Hawkes and Elena Marchevska.
Arno Bornkamp is a Dutch classical saxophonist, a professor at the Conservatory of Amsterdam, and is considered one of the most influential soloists in the classical repertoire.
Arno has won many awards, including the Silver Laurel of the Concertgebouw and the Netherlands Music Prize among the most noteworthy. The latter enabled him to go abroad, studying in France with Daniel Deffayet and Jean-Marie Londeix, and in Japan with Ryo Noda as well as working with composers such as Luciano Berio and Karlheinz Stockhausen.
Ian Bousfield has been at the top of the profession for over one quarter of a century, excelling in perhaps more facets of the music business than any other trombonist to date. He is also currently International Fellow of Brass at the Royal Conservatoire of Scotland. His list of former students includes some of our current most successful players in orchestras around the world.
For more than thirty years, conductor Martyn Brabbins has been at the forefront of British music in a career that has taken him from the BBC Scottish Symphony Orchestra and the Royal Flemish Philharmonic to the Kirov, La Scala and his current position as music director at English National Opera.
Helen Brew has been Associate Principal Flute of the Royal Scottish National since 1989 and has performed on 4 continents with some of the world’s best conductors including Claudio Abbado, Zubin Mehta, Lorin Maazel & Neeme Järvi.
As a member of the RSNO, she has recorded over 200 CDs appears weekly across Scotland and plays regularly at the Edinburgh International Festival and the BBC Proms. Helen teaches at the Royal Conservatoire of Scotland and has served on the faculty of the Royal Northern College of Music and the Chethams School of Music as well as numerous flute courses with Clare Southworth, Trevor Wye & Katherine Bryan.
Helen is a keen advocate for music in community outreach work especially working with young people with special needs.
Professor Stephen Broad undertook interdisciplinary studies at the University of Glasgow (MA, Music and Physics) and doctoral research at Worcester College, Oxford (DPhil, Historical Musicology). He has taught for the universities of Oxford and Glasgow, and for Georgia Institute of Technology.
Colin Broom is a composer based in Scotland. He studied Composition with Gordon McPherson at the then-Royal Scottish Academy of Music and Drama (now RCS).
Graeme became a freelance bassoonist in his second year at the RCS, working with orchestras throughout the UK, Ireland and France. In 2015, Graeme was appointed Bassoon Principal No. 2 with the BBC Scottish Symphony Orchestra. In this varied role, he can be found rehearsing, performing, delivering educational workshops and recording. The BBCSSO continues to deliver one of the most diverse offerings to an audience; and to that end, Graeme has also featured on the Ocarina, Harmonica and Heckelphone in recent concerts!
Cameron graduated with a starred-first in piano performance from New College, Oxford, where he was an academic scholar and organ scholar and he subsequently studied with Mirella Freni at CUBEC in Italy, with Dennis O’Neill at WIAV, and at the National Opera Studio, London. He is an alumnus of the Britten-Pears Young Artist Programme and the Solti-Perretti Accademia. He studied privately with Graham Johnson and Martin Isepp and frequently accompanied Laura Sarti’s lessons in the UK and Paris.
