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Vocal Performance Department (Postgraduate)

Underlying the performing, teaching and coaching activities within vocal performance is a simple idea: that each singer must find the mode of learning and developing which really works for them.

Overview

The Vocal Performance department is ambitious on your behalf and seeks to find ways for you to discover and fulfil your potential as a singer and independent, distinctive artist. The department numbers around 100 first-study singers on BMus and MMus courses, with further singers taking the advanced Opera route. Our team of tutors and coaches aim to help you find and release your true unique voice, establishing a technique which can serve you reliably, with a sense of freedom. 

From April 2024, the department will be led by international opera soprano and educator, Jane Irwin. Working closely with the Head of Opera, Philip White, it has an excellent and committed team of tutors, many of whom have worked and continue to work at the highest international performing levels and who can offer a range of specialisms. 

Underlying the performing, teaching and coaching activities within vocal performance is a simple idea: each singer must find the mode of learning and developing which works for them. Our approach is student-centred and we aim to respond to the differing learning styles and needs of individual singers.  

These elements are taught via 40.5 hours of principal study tuition and supporting studies classes each academic year, with a special class called ‘Basis of Vocal Technique’ where students work as a group on the ideas and skills which they are encountering in the one-to-one lessons. We are practical and we use what works!”

Our team of tutors and coaches aims to help you find and release your true unique voice, establishing a technique which can serve you reliably, with a sense of freedom.

The important details

UK Applicant Deadline:
2 October 2024

International Applicant Deadline:
1 December 2024

Institution Code:
R58

Programme Code:
MMUS: 890F/MA: 801F

Audition Fee:
£65

Application Fee:
£28.50


Why Study Vocal Performance With Us?

One-to-One Tuition


You will be encouraged to explore your imagination and hone your artistry through one-to-one lessons. The programme offers 40.5 hours of principal study tuition and supporting studies classes each academic year. Our unique classes designed for in-depth vocal technique learning will help you understand the mechanisms influencing your singing. 

Musicians practice for the Christmas Orechestra event in the Stevenson Hall.

Performance Opportunities


Throughout your studies, you will participate in diverse performance opportunities. The department will connect you with choral and ensemble activities such as RCS Choir and RCS Chamber Choir. 

Masterclasses & Partnerships


You will learn from industry professionals in regularly scheduled masterclasses. Our previous classes featured renowned artists like Sir Thomas Allen CBE, Catriona Morison, Malcolm Martineau and Karen Cargill. Additionally, you will benefit from networking with industry partners like Scottish Opera, the Bayreuth Festival, British Youth Opera, and the Samling Academy.

Meet the Staff

Teaching Staff

  • Lecturer, Vocal Performance

    Lorna Anderson
    Christina Dunwoodie
    Kathleen McKellar Ferguson

    Margaret Izatt

    Scott Johnson
    Helen Lawson
    Wilma MacDougall

    Jessica Leary

    Elizabeth McCormack
    Andrew McTaggart
    Linda Ormiston OBE
    Iain Paton
    Professor Stephen Robertson
    Julian Tovey
  • Lecturer (French Language and Repertoire), Vocal Performance

    Héloïse Bernard
  • International Fellow, Vocal Performance

    Dr Karen Cargill
  • Lecturer (Repertoire Coach), Vocal Performance

    Ingrid Sawers
  • Lecturer (Italian Language and Repertoire), Vocal Performance

    Geoffrey Tanti

Masterclasses

  • Dame Gwyneth Jones
  • Dame Felicity Lott
  • Karen Cargill
  • Catriona Morison
  • Nicky Spence
  • Patricia MacMahon
  • Sir Thomas Allen CBE
  • John Treleaven
  • Malcolm Martineau
  • Lisa Milne MBE
  • Rosalind Plowright
  • Barbara Bonney
  • Roderick Williams
  • Jane Eaglen
  • Christine Brewer
  • Dame Ann Murray
  • Simon Lepper

Facilities

In addition to the expected range of well-equipped teaching studios, singers have the benefit of the Alexander Gibson Opera School — including the Opera Studio. The professional venues, the Stevenson Hall, and the New Athenaeum Theatre are also used by the Vocal Performance students. 

The Ledger Recital Room is used for many classes and competitions. Other venues which have housed opera and concert performances outside the RCS campus include the splendid early Gothic Glasgow Cathedral, St Mary’s Cathedral, Paisley Abbey, and the concert halls in Perth and Aberdeen. 

Students also have access to expertise amongst staff in Spectrographic Analysis of resonance and vowels, with the ancillary information that can be utilised using Electroglottogram information. These two advanced software-based tools can often make yet clearer what is being studied and understood using excellent traditional methodologies. 

Graduate Destinations

Many undergraduates choose to go on to further study once they have completed their four-year course. Whilst some like to take advantage of the fact that we offer a complete journey through BMus and MMus Performance and our Artist Diploma in Opera, others go on to postgraduate study at a multitude of other institutions. Recent graduate destinations include:

  • Guildhall School of Music and Drama 
  • The Jacobs School of Music
  • Konservatorium Wien  
  • Covent Garden Jette Parker Scheme 
  • Welsh International Academy of Voice 
  • International Opera Studio Staatsoper Berlin 
  • Salzburg Festival Young Singers Project 
  • Opera Studio Bregenz Festivals 
  • Verbier Academy 
  • Royal Opera Den Norske

 Alumni include: 

  • Beth Taylor (Cardiff Singer of the World Finalist, 2023) 
  • Catriona Morison (Cardiff Singer of the World Winner, 2017) 
  • Svetlina Stoyanova (Neue Stimmen Winner, 2017)  
  • Anush Hovhannisyan (Cardiff Singer of the World Finalist, 2017)
  • Dominic Barberi (Cardiff Singer of the World Finalist, 2017)

Programme Structure

The programme structure for your studies will depend on whether you choose to undertake Vocal Performance principal study as part of an MMus or an MA in Performance. Further information is available on the MMus/MA Performance page:

MMus/MA Performance


How to Apply

More information about how to apply, including entry requirements and tuition fee & funding information, is available on the MMus/MA Performance page. The specific audition requirements for this principal study are detailed below:

Audition Information

In-person auditions are planned to take place at various locations across the world. Should you apply on time, an invitation to book an audition time slot will be sent to you via Acceptd, you must create an Acceptd account regardless of your audition location to be able to select your audition time. An interview will form part of your audition, this is a chance for the panel to find out more about you, as well having an opportunity for you to ask questions about the programme.

The RCS audition panel will consist of a relevant departmental staff member and the Head of Department. Our international auditions will consist of one panel member and will also be recorded for review by the relevant department.

All in-person auditions will be given a twenty-minute warm up slot prior to their audition.

Audition Dates

International applicants are welcome to submit a recorded submission via Acceptd if these dates are not suitable. A live online interview, if held, will assess the candidate’s suitability for the programme in terms of knowledge, experience and commitment.

Through audition, applicants will be required to demonstrate:  

  • A high degree of technical competency on the instrument or voice in the service of specific repertoire 
  • An ability to demonstrate a considerable degree of understanding of the repertoire performed 
  • An ability to perform specific repertoire convincingly 
  • A considerable degree of self-confidence and creativity with respect to the repertoire performed 
  • A degree of self-sufficiency, initiative and independence in selecting, preparing and performing a particular programme 
  • A developing musical personality
Audition Repertoire

The panel are keen to hear you perform at your best, so choose music that suits your voice and enables you to show your individuality as a performer. 

Candidates should prepare: 

  • Four contrasting classical pieces, at least one of which should be in English and one in a foreign language 
  • A short poetry or prose reading in English lasting no longer than 2 minutes 

One of the items should be an aria from an oratorio or opera, preferably with the recitative; another should be a German Lied or French mélodie. Candidates will be asked to choose their first piece, and the panel will then choose a further one or two pieces. 

A typical programme may include a recitative and aria from an oratorio or opera, a German Lied, a French mélodie, an English Art Song and a short poetry reading. 

The interview will be held by members of the audition panel. It will explore your understanding of the demands of the programme, knowledge of repertoire, aspects of performance practice, performance experience and attitudes, and professional aspirations. You may also be invited to talk about the recording you have submitted. You may also be given a sight reading as part of this process, depending on your principal study department(s).

Successful candidates will show potential to develop their beliefs and skills through the programme.

Recording Guidelines: 
  • When setting up for your video recording, your body (typically, from about the waist up) and instrument should be the focal point of the frame. The committee wants to be able to see not just your face but how well you navigate your instrument. 
  • The video recording should be provided in ONE continuous shot without separate tracks for different musical pieces. 
  • Please begin the recording by introducing yourself to camera and stating what you will be performing. You can take a little time between pieces so long as your body must remain in the frame. 
  • For any pieces that were written for your instrument and piano accompaniment, you are encouraged to perform with piano accompaniment (whether live or pre-recorded) if practical for you. Be assured, however, that if this is not possible for you, then you will not be disadvantaged in any way. 

For more information on recording a video audition, Guitar Lecturer Matthew McCallister reveals his top tips on recording your music audition online: 

More from the Vocal Performance Department

Why RCS?

We are the only place in Europe where you can study all of the performing arts on the one campus. There is a distinctive creative energy at RCS and you’ll be made to feel part of our inclusive and diverse environment from the very beginning of your studies.

Our graduates are resourceful, highly employable and members of a dynamic community of artists who make a significant impact across the globe.

At RCS, students develop not just their art but their power to use it.

Why RCS

A ballerina wearing a teal dress jumps over the Kelpies monuments in Scotland during a grey day.

World Top Ten


We were voted one of the world’s Top Ten destinations to study the performing arts (QS Rankings) in 2024, the eighth time we have been placed in the top ten since the ranking was established in 2016.